Explore Thomas Cole

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  • Falls of the Kaaterskill
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  • The Clove, Catskills
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  • The Course of Empire: The Savage State
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  • The Course of Empire: The Arcadian or Pastoral State
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  • The Course of Empire: The Consummation of Empire
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  • The Course of Empire: Destruction
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  • The Course of Empire: Desolation
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  • View from Mount Holyoke, Northampton, Massachusetts, After A Thunderstorm (The Oxbow)
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  • View on the Catskill, Early Autumn
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  • The Voyage of Life: Childhood (First Set)
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  • The Voyage of Life: Youth (First Set)
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  • The Voyage of Life: Manhood (First Set)
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  • The Voyage of Life: Old Age (First Set)
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  • The Architect's Dream
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  • Mount Etna From Taormina, Sicily
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  • A View of the Two Lakes and Mountain House, Catskill Mountains, Morning
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  • Kindred Spirits

A View of the Two Lakes and Mountain House, Catskill Mountains, Morning

Thomas Cole. Oil on canvas, 1844, 35 13/16 x 53 7/8 in. Brooklyn Museum. Dick S. Ramsay Fund, 52.16.

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  • 1.Gifford, Catskill Mountain House
  • 2.Catskill Mountain-House

John Rubens Smith, Catskill Mountain-House: A Celebrated Summer Hotel..., aquatint with hand-coloring on paper, 1830, 19 x 14 ½ in. Museum of Fine Arts, Boston, 55.785. View in Scrapbook

This view looking up South Mountain in the Catskills was frequently depicted in engravings and guidebook illustrations to give potential visitors an idea of the steep and rugged ascent to the mountaintop, often compared to a religious pilgrimage. Cole also depicted this view up the road, along with several other paintings of the hotel, during his career.

  • Catskill Mountain House: The Four Elements

Smith's engraving promoted tourism in the Catskills by depicting well-dressed ladies and gentlemen enjoying the picturesque trails along the mountainside. 1  In general, Cole avoided depicting upper-class tourists in the Catskills, favoring images that embodied a wilderness aesthetic.

thomas cole

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