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  • Falls of the Kaaterskill
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  • The Clove, Catskills
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  • The Course of Empire: The Savage State
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  • The Course of Empire: The Arcadian or Pastoral State
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  • The Course of Empire: The Consummation of Empire
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  • The Course of Empire: Destruction
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  • The Course of Empire: Desolation
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  • View from Mount Holyoke, Northampton, Massachusetts, After A Thunderstorm (The Oxbow)
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  • View on the Catskill, Early Autumn
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  • The Voyage of Life: Childhood (First Set)
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  • The Voyage of Life: Youth (First Set)
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  • The Voyage of Life: Manhood (First Set)
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  • The Voyage of Life: Old Age (First Set)
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  • The Architect's Dream
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  • Mount Etna From Taormina, Sicily
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  • A View of the Two Lakes and Mountain House, Catskill Mountains, Morning
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  • Kindred Spirits

The Voyage of Life: Youth (First Set)

Thomas Cole. Oil on canvas, 1840, 52 ½ x 78 ½ in. Munson-Williams-Proctor Arts Institute, Utica, NY, 55.106.

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The Voyage of Life

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YOUTH.—The stream now pursues its course through a landscape of wider scope, and more diversified beauty. Trees of rich growth overshadow its banks, and verdant hills form the base of lofty mountains. The Infant of the former scene is become a Youth, on the verge of Manhood. He is now alone in the Boat, and takes the helm himself, and, in an attitude of confidence and eager expectation, gazes on a cloudy pile of Architecture, an air-built Castle, that rises dome above dome in the far-off blue sky. The Guardian Spirit stands upon the bank of the stream, and, with serious, yet benignant countenance, seems to be bidding the impetuous Voyager "God speed." The beautiful stream flows for a distance, directly toward the aerial palace, for a distance; but at length makes a sudden turn, and is seen in glimpses beneath the trees, until it at last descends with rapid current into a rocky ravine, where the Voyager will be found in the next picture. Over the remote hills, which seem to intercept the stream, and turn in from its hitherto direct course, a path is dimly seen, tending directly toward the cloudy Fabric, which is the object and desire of the Voyager.
The scenery of the picture—its clear stream, its lofty trees, its towering mountains, its unbounded distance, and transparent atmosphere—figure forth the romantic beauty of youthful imaginings, when the mind elevates the Mean and Common into the Magnificent, before experience teaches what is the Real. The gorgeous cloud-built palace, whose glorious domes seem yet but half revealed to the eye, growing more and more lofty as we gaze, is emblematic of the daydreams of youth, its aspirations after glory and fame; and the dimly-seen path would intimate that Youth, in its impetuous career, is forgetful that it is embarked on the Stream of Life, and that its current sweeps along with resistless force, and increases in swiftness, as it descends toward the great Ocean of Eternity. 1 
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